• Ball

    We shall see battle axes and swords, a-battering colored haumes and a-hacking through shields at entering melee; and many vassals smiting together, whence there run free the horses of the dead and wrecked. And when each man of prowess shall be come into the fray he thinks no more of (merely) breaking heads and arms, for a dead man is worth more than one taken alive.
    I tell you that I find no such savor in eating butter and sleeping, as when I hear cried "On them!" and from both sides hear horses neighing through their head-guards, and hear shouted "To aid! To aid!" and see the dead with lance truncheons, the pennants still on them, piercing their sides.
    Barons! put in pawn castles, and towns, and cities before anyone makes war on us.
    Papiol, be glad to go speedily to "Yea and Nay", and tell him there's too much peace about.

    Bertran de Born, Be·m platz lo gais temps de pascor, translated by Ezra Pound

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    Ein Ball (A Ball), ink, pencil on paper, 150 x 260 cm, 2005

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    Der Stuhl (The Chair), ink, pencil on paper, 50 x 70 cm, 2005

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    Der Wald (The Forest), ink, pencil on paper, 50 x 70 cm, 2005

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    Die Jagd I (The Hunt I), ink, pencil on paper, 50 x 70 cm, 2005

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    Die Jagd II (The Hunt II), ink, pencil on paper, 50 x 70 cm, 2005

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    Bäume (Trees), ink, pencil on paper, 50 x 70 cm, 2005

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    Wald I (Forest I), ink, pencil on paper, 50 x 70 cm, 2005

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    Wald II (Forest II), ink, pencil on paper, 50 x 70 cm, 2005

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    Wald III (Forest III), ink, pencil on paper, 50 x 70 cm, 2005

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    Im Halle (In the Hall), ink, pencil on paper, 150 x 210 cm, 2005

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    Die geschelterte Hoffnung - Caspar David Friedrich - (The Wreck of Hope - Caspar David Friedrich), ink, pencil on paper, 50 x 50 cm, 2005

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    Der Unfall (The Accident), ink, pencil on paper, 50 x 70 cm, 2005

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    The Ball, installation view, Batagianni Gallery Athens, 2005

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    The Ball, installation view, Batagianni Gallery Athens, 2005

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    The Ball, installation view, Batagianni Gallery Athens, 2005